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STATEMENT . BIO .
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JC_1. Autmn Leaves
JC_10. Pour Toute La Vie
JC_11. Pray
JC_12. She Can Play
JC_13. Spiritual
JC_14. Symbols Of Love
JC_15. The Leaf
JC_16. The Womans Life
JC_17. Timeless
JC_18. To Find Her Way
JC_19. Untitled
JC_2. Chicago Joe
JC_20. When Mingus Plays
JC_21. At The Sky
JC_22. Blue Shadows
JC_23. Canton Mississippi
JC_24. From Within
JC_25. Ladies Day
JC_26. My Baby Tears
JC_27. Only For You
JC_28. Red Guitar
JC_29. Red Man
JC_3. From Inside My Dreams
JC_30. Special Eyes
JC_31. The Box
JC_32. Three Ways
JC_33. To Be A Woman
JC_4. From The Heart
JC_6. Inside The Box
JC_7. Jazzy Cool
JC_8. My Way
JC_9. One For All

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Somewhere in the middle of living I began thinking about how I've developed as a painter and as a man. I recently became a parent and I wasn't sure exactly how I was to support my family. For many years I've been very fortunate as an artist to be able to sell my art and have it respected by many people around the world. But this new thing...this idea that I had to now become more responsible as a man, meant that I had to also look at my professional reality and make adjustments on how to articulate what I was seeing. Many artists say they view their art as their children's.....but that comment mostly refers to the selling of art. My reference is guided more towards the ideals of personal responsibility an art person discovers and how much the work they do can affect the world. Just as my relationship with my children, I know what I put in them, is what they will give back to the world.

If through my art I can facilitate, energize and refurbish the ideals of hope and if we can all work together, maybe we can stop existing and begin living and showing each other that we don't need to tear down to build up. The greater good is what we give to make the lives of others better, which in turn enriches our own. If through my art I can offer these ideas to my sons and they spread beyond my family and into the world, then maybe my art will have a purpose besides decor. This is my mission...I'm Jackson Collins and I approve of this message.

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The decision to leave his hometown of Canton, Mississippi at 16 to pursue a career as a conceptual artist in Venice, California came with many bumps for self-taught artist Jackson-Collins. He tells his story in stark terms because he believes that his honesty helps his viewer to better understand who he is and why he paints the way he does.

His early days in California were spent painting on the streets and selling his small paintings to the eclectic crowd that thronged the famed Venice Beach boardwalk. His was often a precarious existence. The experiences of those ‘starving artist’ years gave him a lot to reflect on and to yearn for: things as basic as a warm bed, a place to call his own, stable relationships, family - themes that have found their way into his work. But being an artist was never a question of choice for this artist. It was the only path for him, and the displacement and struggles were all part of the landscape. Raw, edgy, and bounding with ideas and emotions, Jackson-Collins’ work defies clear categorization. He has drawn from styles that include figurative, abstract expressionism and surrealism, but has evolved a style all his own, characterized by a highly charged brushstroke, daring distortions of the human form, unorthodox use of color - often monochrome hues -, and a system of personal symbolism. His work, seemingly chaotic at times, reflects, on a deeper level, a search for balance, calm, truth and honesty.

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